Last night, Dec 26th, the world finally saw the broadcast of the Kennedy Center Honors Gala. The Gala honoured all five honourees: Dustin Hoffman, Natalia Makarova, Buddy Guy, David Letterman and Led Zeppelin. All honorees had an eminent person/a Jack Black/Tina Fey provide an introduction, plus a short video of their work and then a performance of their art.
In Led Zeppelin's case, at the top of the bill, performance by the Foo Fighters, Kid Rock, Lenny Kravitz and Heart provided the moments. Jack Black gave an introduction in the standard Jack Black style, that is to say, just a tad over the top: he really is a perpetual 14-year old and a more mature perspective of the band would have been nice.
The footage shown was edited for time, as early reports had Foo Fighters doing 2 songs, as did Kid Rock. As it was, the Foo Fighter's performed Rock and Roll, with Dave Grohl taking the drum stool and drummer Taylor Hawkins picking up the vocal duties. This is the second time the Foo's have performed this song with this makeup. Their performance of Black Dog, with Hawkins back behind the kit and Grohl singing, didn't make the broadcast.
Kid Rock's performance has the LedZeposphere buzzing this morning, wondering why he was chosen for this honour. Like him or hate him, however, Kid Rock has always paid homage to the rock and rollers who have come before him, and Led Zeppelin's Whole Lotta Love gets a nod on his album Live Trucker when it bridges the songs Somebody's Gotta Feel This and Fists of Rage (go to the 3 minute mark on the linked video). Early reports had it that Kid Rock performed Babe I'm Gonna Leave You and What is and What Should Never Be, however the broadcast had him playing Ramble On.
Lenny Kravitz then performed Whole Lotta Love, while President Barack Obama sang along in the choruses (no word on him belting "woman, you need it..." to Michelle). Kravitz was followed by Jason Bonham appearing behind the drum kit to the obvious surprise and delight of the band themselves. He was then joined onstage by the Wilson sister, Ann and Nancy, of Heart, to perform an abridged version of Stairway to Heaven. As the song progressed, the artists were joined onstage by a small choir and a chamber orchestra, and then by a larger choir, all wearing bowler hats in homage to John Bonham. By the end the band members all seemed moved, with Robert Plant appearing to be moved to tears.
Here is Heart, with Jason Bonham and others, performing Stairway to Heaven.
Showing posts with label Rock and Roll. Show all posts
Showing posts with label Rock and Roll. Show all posts
Thursday, December 27, 2012
Thursday, November 29, 2012
Review Week - Day 4: Robert Plant and the Sensational Space Shifters Live in Curitiba, Brazil
I had heard that Robert Plant had, in his own words, "found his big voice" during his fall shows with the Sensational Space Shifters (SSS). Not knowing for sure what that even meant, it was time to listen to what the Golden God was up to. All the shows from the South American tour the SSS are available for legal download at Livedownloads.com. I chose one randomly and wound up with Curitiba, Brazil on October 27th.
Plant sounds in very good voice on this night and his interaction with a lively audience is fun to listen to. Clearly the audience was in to it, and the Sensational Space Shifters gave them an uptempo set sprinkled with songs mostly from Plant's solo and Led Zeppelin career.
Unlike other tours, Plant stays fairly true to the originals, making arrangement changes for the instruments in use but not to the basic song itself. Rock and Roll, for instance, which was given a reworking into a rockabilly yawn-a-long, is back to being a solid rocker. Whole Lotta Love is recognizable as such while Black Dog is weirded out musically. The vocal line in the latter, however, is not much changed from the recent Celebration Day release.
Highlights include All The Kings Horses (during the intro of which someone yells, "beautiful man, beautiful"), Going to California and the aforementioned Rock and Roll. But outside of the opening song, Tin Pan Valley, there's nothing in this set that's not excellent. It has been a long time (been a long time, been a long time) since I've enjoyed listening to new Robert Plant music as much as I did this show.
That leaves us with one question: has Plant found his big voice? The answer is unquestionably yes and, having combined it with the half octave harmony vocalist he has learnt to be the last five years, he is effective and dynamic singer fronting a solid and entertaining band. One hopes Patty Griffin has more solo tours lined up in the next couple of years.
Setlist
Plant sounds in very good voice on this night and his interaction with a lively audience is fun to listen to. Clearly the audience was in to it, and the Sensational Space Shifters gave them an uptempo set sprinkled with songs mostly from Plant's solo and Led Zeppelin career.
Unlike other tours, Plant stays fairly true to the originals, making arrangement changes for the instruments in use but not to the basic song itself. Rock and Roll, for instance, which was given a reworking into a rockabilly yawn-a-long, is back to being a solid rocker. Whole Lotta Love is recognizable as such while Black Dog is weirded out musically. The vocal line in the latter, however, is not much changed from the recent Celebration Day release.
Highlights include All The Kings Horses (during the intro of which someone yells, "beautiful man, beautiful"), Going to California and the aforementioned Rock and Roll. But outside of the opening song, Tin Pan Valley, there's nothing in this set that's not excellent. It has been a long time (been a long time, been a long time) since I've enjoyed listening to new Robert Plant music as much as I did this show.
That leaves us with one question: has Plant found his big voice? The answer is unquestionably yes and, having combined it with the half octave harmony vocalist he has learnt to be the last five years, he is effective and dynamic singer fronting a solid and entertaining band. One hopes Patty Griffin has more solo tours lined up in the next couple of years.
Setlist
- Tin Pan Valley
- Another Tribe
- Friends
- Spoonful
- Somebody Knocking
- Black Dog
- All The Kings Horses
- Bron-Y-Aur Stomp
- Enchanter
- Four Sticks
- Ramble On
- Freedom Fries
- Whole Lotta Love
- Going to California
- Rock and Roll
-- Encore --
Tuesday, September 18, 2012
Rock and Roll
John Paul Jones stepped on stage at the Sunflower Jam at the Royal Albert Hall in London this weekend. Joining Jones et. al., was the guy who gave Robert Plant his first hit in the classical charts, Alfie Boe. This time, Alfie got to play rock star, and seemed to love it.
Tuesday, November 8, 2011
IV@40
If you came of age in the mid-1970’s, as I did, Led Zeppelin IV (aka ZOSO)
was always there. You go to the carnival, and the Tilt-a-Whirl guy is blasting Rock and Roll, Black Dog and When the Levee Breaks. Guys driving down the street would be blasting it out of their 8-track player. You didn’t hear it for the first time, you absorbed it over time.IV wasn’t even the first Zeppelin album I found and loved. That honour would fall to their third album, which I “borrowed” from my older brother on such a regular basis he bought me my own copy for Christmas the next year.
The follow up fourth album soon joined III as a staple of my record player. Mostly side one, it has to be confessed, for the obvious reasons. Frankly, song for song, I’ll still take side one even now, with the exception of When the Levee Breaks which may be my favourite song on the album.
Everybody has favourites, and most Zeppelin fans will probably chose an album other than IV as their’s. But make no mistake, none will deny the greatness of Led Zeppelin IV. From song 1 to song 8, it contains no flaws, no misses. And in fact, in age when artists worried about the flow of the entire album, IV has two very different, but flawless sides, and still works as a complete unit. In other words, whether you throw on side 1, side 2 or the good old standby, 8-track and hear the whole thing through, it works.
But it’s still the songs that make the album, and IV features Led Zeppelin at their best. Rock and Roll, the bands answer to critics who said they had gone soft. Black Dog, a unique call and response style song unlike anything recorded before or since.
Battle of Evermore, the prelude to Stairway: Angry Hobbits with mandolins. Page and Jones, with just mandolins, acoustic guitar and, reportedly, a Dulcimer make the earth shake. Stairway to Heaven, in the aftermath of Battle of Evermore is like the dawn after battle. It’s message of hope in direct conflict with Evermore’s war call. Stairway to Heaven, the song that ended a thousand dances, more of a ritual than a rock song.
Side 2, if your using old school formats like me (or actually track 3 and 4, which is how I have listened to IV the last few times I’ve had it on), starts with the albums two weakest songs. Misty Mountain Hop, the hippy anthem. This falls in the category of second tier Zeppelin songs that prove just how good Zeppelin was. Four Sticks is a drum driven song with rather complex time structure. Again, most bands would kill to have this song in their repertoire, for Led Zeppelin in 1971, it was weak.
Going to California is the ultimate Zeppelin folk song. They had done folk before, had built the third album around folk songs, but Going to California trumps them all. Give Led Zeppelin acoustic guitars and mandolins and they were still the best rock band in the world, and Going to California is exhibit A.
Finally, the tour de force. Of all the songs on Led Zeppelin IV, When the Levee Breaks may have aged the most gracefully, which is odd considering it has all the grace of a charging Rhino. Built around John Bonham’s great drum pattern, the most sampled drum pattern in all of rap, Zeppelin rolls for 7 minutes of chicago blues like no other. It is pure driving rock yet, thanks to Bonham, swings like an old soul song.
Left off the album destined to appear on 1975's Physical Graffiti, the songs Night Flight, Down By the Seaside and Boogie With Stu. Those three songs, the afterthoughts, those are a career for some bands.
Forty years ago today, November 8, 1971 Led Zeppelin IV was released. It may have been the best album of the rock era, yet not Led Zeppelin best album. It is good enough to be called that, and Zeppelin good enough to transcend it.
Friday, September 23, 2011
Mr. Plant Goes to Marfa
Patty Griffin stepped onstage last night at Marfa, Texas for the first night of the El Cosmico Trans-Pecos Festival of Music and Love, and introduced her new band, Crown Vic: "I'd like to introduce you to my dear, dear friend, Robert Plant."
Plant joined the band of Texans for a run through a set of old songs, including at least three Led Zeppelin numbers, Rock and Roll, Misty Mountain Hop and Black Dog. A poster on YouTube noted, "(Crown Vic) Played a lot of Zepplin. One of the best shows I have ever seen."
Rumour is that Plant will stay in Texas and work with Crown Vic when Griffin goes out for a series of dates with Buddy Miller later this month.
More at Lemon Squeezings.
OA Online.
From Robert Plant's official website.
Plant joined the band of Texans for a run through a set of old songs, including at least three Led Zeppelin numbers, Rock and Roll, Misty Mountain Hop and Black Dog. A poster on YouTube noted, "(Crown Vic) Played a lot of Zepplin. One of the best shows I have ever seen."
Rumour is that Plant will stay in Texas and work with Crown Vic when Griffin goes out for a series of dates with Buddy Miller later this month.
More at Lemon Squeezings.
OA Online.
From Robert Plant's official website.
Sunday, October 31, 2010
Jason Bonham’s Led Zeppelin Experience: October 28, Kitchener, Ontario
“Kitchener,” says Jason Bonham from the stage, bowler hat much like his father would occasionally wear perched on his head, “is very special to me. The background picture on my phone is of my dad in Kitchener.”
John Bonham, Jason’s father and the Raison d’etre for the Jason Bonham Led Zeppelin Experience, visited Kitchener once as drummer of Led Zeppelin. On Nov 4, 1969 Led Zeppelin played the Kitchener auditorium to a “with it,“ crowd of 2,000 mostly college kids. “Coming into town,” Bonham continues with a laugh, “it doesn’t look like it’s changed much.”
Fourty-one years later, almost to the day, the crowd of 2,000 people ranging in age from pre-teen to people who might have seen the father in Kitchener, had a great time rocking out to the fathers music, the sons beat.
JBLZE ran through a three hour (with intermission) 20 song set that had fans stomping the floor boards of the usually staid Centre in the Square. From the beginning of John Bonham’s famous Rock and Roll introduction to the final lick from Rush’s Tom Sawyer (an add on to the end of Whole Lotta Love for JBLZE’s Canadian crowds) the band was on a rocking journey and the fans happily came along for the ride.
Very little attempt was made to be Led Zeppelin outside of guitarist Tony Catania efforts to channel Jimmy Page. Bald-headed singer James Dylan neither looks, nor particularly sings like Robert Plant: Dylan has a rasp in his voice Plant never had and lacked Plant’s tendency to miss the occasional note completely. Bassist Michael Devin’s long flowing black hair was more Page than Jones, he moved and jumped about the stage more in fitting with his next gig as Whitesnake bassist than John-Paul Jones’ less robust stage presence. Utility man Stephen LeBlanc, who handled Jones’ keyboard duties, as well as some guitar and lap-steel guitar, smiled rather too much to do an effective John Paul Jones imitation.
The visual representation came from the video screens behind the drum set. They offered glimpses of home movies, pictures from the Bonham family album and on some numbers, a psychedelic backdrop to create atmosphere. Despite the pre-tour talk about the home movies making this more than just a Led Zeppelin tribute, it was it’s use for psychedelia when the screens were most effective.
The show was presented in two parts with a twenty minute intermission. Each half began with Bonham home movies and a Jason Bonham monologue. The beginning of the second half showed a video of young Jason Bonham doing a hip swinging, sexed up dance routine for his mother and father that was hilarious. A third monologue and video, prior to Stairway to Heaven, was on the 02 concert: “the greatest night of my (Bonham’s) life.”
When the band was playing, however, the screen was secondary, at least from my seats in the fifth row: perhaps farther back it took on greater importance. Personally, I had to keep reminding myself I’m supposed to watch the screen, not the guitar player right in front of me. However, a couple of screen moments bear comment:
During Thank You home movies were playing, likely the summer of 1980 vacation that Jason Bonham has mentioned in a few interviews. At one point, John Bonham is looking at the camera, filling the scene, for about ten seconds. During the songs quietest moment, Stephen LeBlanc quietly filling the air with organ and James Dylan plaintfully singing, “and so today my world it smiles, your hand in mine we walk the miles.” John Bonham looks down, Godlike from overhead, touches his thumb to his nose and wiggles his fingers mockingly.
The other was the show’s much talked about highlight, Moby Dick. Not being a fan of drum solos, except as a much needed bathroom break, I sat almost transfixed as Jason matched John Henry beat for beat, bass pedal roll for bass pedal roll. The screen offering sometimes dad, sometimes son and sometimes both in split screen made an extremely effective ending to the first half of the show, and gave he band their first of many standing ovations on the night.
But this show was about the music, and it was in the music that it stood out. Jason Bonham put together a very good band and on this night, they were on fire. It felt, seemed from close in, that it was a special night. Some early reviews had suggested flaws, and video showed this to be true. Not on this night. The band, simply put, was white hot.
They were spot on: not note perfect for the records spot on, but an in the moment perfection where even the wrong notes sounded right. They nailed the evenings second song, Celebration Day as it was done on The Song Remains the Same, and you just knew it would be a good night. Celebration Day was always to my ears a hit and miss song for Zeppelin. Jason Bonham’s Led Zeppelin Experience played it bang on. A good start that got better. Babe I’m Gonna Leave You was spine tingling good, Catania bouncing back and forth between electric and his stand mounted acoustic. What is and What Should Never Be was outstanding.
But the shows real highlights were in the second half. Good Times, Bad Times flat out rocked, Since I’ve Been Loving You steamed, Cantania having his moment and nailing it, The Ocean was a blast of good fun, I’m Gonna Crawl heart wrenching. When The Levee Breaks was magical, Jason leaving the drumming duties to his father early in the song: “It’s such a simple beat, but such a difficult feel,” Bonham tells the crowd beforehand. On Stairway to Heaven Catania again pulled out the acoustic guitar stand, and they played a variation of studio and live version that left you wondering why Page never thought of taping his acoustic to a mic stand. Kashmir, which Bonham declared was, “my favourite song, period,” had everyone on their feet.
It was, in all, a very good show. Great music, done by a band that was good enough to do it, and having a very on night. Never mind the story-line that went with it, Jason Bonham’s Led Zeppelin Experience put on a great rock concert.
It’s safe to suggest the feeling is mutual, the Bonham’s are very special to Kitchener.
[caption id="attachment_415" align="aligncenter" width="491" caption="Tony Catania plays Stairway to Heaven"]
[/caption]
John Bonham, Jason’s father and the Raison d’etre for the Jason Bonham Led Zeppelin Experience, visited Kitchener once as drummer of Led Zeppelin. On Nov 4, 1969 Led Zeppelin played the Kitchener auditorium to a “with it,“ crowd of 2,000 mostly college kids. “Coming into town,” Bonham continues with a laugh, “it doesn’t look like it’s changed much.”
Fourty-one years later, almost to the day, the crowd of 2,000 people ranging in age from pre-teen to people who might have seen the father in Kitchener, had a great time rocking out to the fathers music, the sons beat.
JBLZE ran through a three hour (with intermission) 20 song set that had fans stomping the floor boards of the usually staid Centre in the Square. From the beginning of John Bonham’s famous Rock and Roll introduction to the final lick from Rush’s Tom Sawyer (an add on to the end of Whole Lotta Love for JBLZE’s Canadian crowds) the band was on a rocking journey and the fans happily came along for the ride.
Very little attempt was made to be Led Zeppelin outside of guitarist Tony Catania efforts to channel Jimmy Page. Bald-headed singer James Dylan neither looks, nor particularly sings like Robert Plant: Dylan has a rasp in his voice Plant never had and lacked Plant’s tendency to miss the occasional note completely. Bassist Michael Devin’s long flowing black hair was more Page than Jones, he moved and jumped about the stage more in fitting with his next gig as Whitesnake bassist than John-Paul Jones’ less robust stage presence. Utility man Stephen LeBlanc, who handled Jones’ keyboard duties, as well as some guitar and lap-steel guitar, smiled rather too much to do an effective John Paul Jones imitation.
The visual representation came from the video screens behind the drum set. They offered glimpses of home movies, pictures from the Bonham family album and on some numbers, a psychedelic backdrop to create atmosphere. Despite the pre-tour talk about the home movies making this more than just a Led Zeppelin tribute, it was it’s use for psychedelia when the screens were most effective.
The show was presented in two parts with a twenty minute intermission. Each half began with Bonham home movies and a Jason Bonham monologue. The beginning of the second half showed a video of young Jason Bonham doing a hip swinging, sexed up dance routine for his mother and father that was hilarious. A third monologue and video, prior to Stairway to Heaven, was on the 02 concert: “the greatest night of my (Bonham’s) life.”
When the band was playing, however, the screen was secondary, at least from my seats in the fifth row: perhaps farther back it took on greater importance. Personally, I had to keep reminding myself I’m supposed to watch the screen, not the guitar player right in front of me. However, a couple of screen moments bear comment:
During Thank You home movies were playing, likely the summer of 1980 vacation that Jason Bonham has mentioned in a few interviews. At one point, John Bonham is looking at the camera, filling the scene, for about ten seconds. During the songs quietest moment, Stephen LeBlanc quietly filling the air with organ and James Dylan plaintfully singing, “and so today my world it smiles, your hand in mine we walk the miles.” John Bonham looks down, Godlike from overhead, touches his thumb to his nose and wiggles his fingers mockingly.The other was the show’s much talked about highlight, Moby Dick. Not being a fan of drum solos, except as a much needed bathroom break, I sat almost transfixed as Jason matched John Henry beat for beat, bass pedal roll for bass pedal roll. The screen offering sometimes dad, sometimes son and sometimes both in split screen made an extremely effective ending to the first half of the show, and gave he band their first of many standing ovations on the night.
But this show was about the music, and it was in the music that it stood out. Jason Bonham put together a very good band and on this night, they were on fire. It felt, seemed from close in, that it was a special night. Some early reviews had suggested flaws, and video showed this to be true. Not on this night. The band, simply put, was white hot.
They were spot on: not note perfect for the records spot on, but an in the moment perfection where even the wrong notes sounded right. They nailed the evenings second song, Celebration Day as it was done on The Song Remains the Same, and you just knew it would be a good night. Celebration Day was always to my ears a hit and miss song for Zeppelin. Jason Bonham’s Led Zeppelin Experience played it bang on. A good start that got better. Babe I’m Gonna Leave You was spine tingling good, Catania bouncing back and forth between electric and his stand mounted acoustic. What is and What Should Never Be was outstanding.
But the shows real highlights were in the second half. Good Times, Bad Times flat out rocked, Since I’ve Been Loving You steamed, Cantania having his moment and nailing it, The Ocean was a blast of good fun, I’m Gonna Crawl heart wrenching. When The Levee Breaks was magical, Jason leaving the drumming duties to his father early in the song: “It’s such a simple beat, but such a difficult feel,” Bonham tells the crowd beforehand. On Stairway to Heaven Catania again pulled out the acoustic guitar stand, and they played a variation of studio and live version that left you wondering why Page never thought of taping his acoustic to a mic stand. Kashmir, which Bonham declared was, “my favourite song, period,” had everyone on their feet.
It was, in all, a very good show. Great music, done by a band that was good enough to do it, and having a very on night. Never mind the story-line that went with it, Jason Bonham’s Led Zeppelin Experience put on a great rock concert.
It’s safe to suggest the feeling is mutual, the Bonham’s are very special to Kitchener.
[caption id="attachment_415" align="aligncenter" width="491" caption="Tony Catania plays Stairway to Heaven"]
[/caption]Setlist: Jason Bonham’s Led Zeppelin Experience:
Centre in the Sqaure, Kitchener, Ontario
October 28, 2010
Set One
Video
Rock and Roll
Celebration Day
Black Dog (w/Bring it on Home intro)
----------Jason Bonham Monologue----------------
You’re Time is Gonna Come
Babe, I’m Gonna Leave You
-----------Bonham Chatter--------------
Dazed and Confused
What is and What Should Never Be
I Can’t Quit You Baby
-----------Bonham Chatter--------------
Thank You
Moby Dick (drum solo with” John Bonham)
----------------------Intermission------------------------
Set Two
Video
Good Times, Bad Times
How Many More Times
Since I’ve Been Loving You
When the Levee Breaks (“With” John Bonham)
The Ocean
Over the Hills and Far Away
I’m Gonna Crawl
------Video - 02 concert Dec 2007 ------------
Stairway to Heaven
Kashmir
-----------------Encore--------------
Whole Lotta Love (w/ Tom Sawyer)
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