Heart's Stairway to Heaven on iTunes

iTunes music this morning released Heart's version of Stairway to Heaven as performed by the band, with Jason Bonham and backed up by 2 choirs, on Dec 3rd at the Kennedy Center Honors Gala. It was broadcast on boxing day, Dec 26th.

You can get the file for 99-cents on iTunes.

It appears at this time that no other songs from that night have been released.

While you are there, don't forget to subscribe to the Ramble On Radio podcast.

In 2004, Heart re-released their 1977 album, Little Queen on CD. The release had, as a bonus track, a live version of the iconic Led Zeppelin song, recorded in 1976.

Here's heart at the Kenendy Center Honors, performing Stairway to Heaven

Kennedy Center Honors

Last night, Dec 26th, the world finally saw the broadcast of the Kennedy Center Honors Gala. The Gala honoured all five honourees: Dustin Hoffman, Natalia Makarova, Buddy Guy, David Letterman and Led Zeppelin. All honorees had an eminent person/a Jack Black/Tina Fey provide an introduction, plus a short video of their work and then a performance of their art.

In Led Zeppelin's case, at the top of the bill, performance by the Foo Fighters, Kid Rock, Lenny Kravitz and Heart provided the moments. Jack Black gave an introduction in the standard Jack Black style, that is to say, just a tad over the top: he really is a perpetual 14-year old and a more mature perspective of the band would have been nice.

The footage shown was edited for time, as early reports had Foo Fighters doing 2 songs, as did Kid Rock. As it was, the Foo Fighter's performed Rock and Roll, with Dave Grohl taking the drum stool and drummer Taylor Hawkins picking up the vocal duties. This is the second time the Foo's have performed this song with this makeup. Their performance of Black Dog, with Hawkins back behind the kit and Grohl singing, didn't make the broadcast.

Kid Rock's performance has the LedZeposphere buzzing this morning, wondering why he was chosen for this honour. Like him or hate him, however, Kid Rock has always paid homage to the rock and rollers who have come before him, and Led Zeppelin's Whole Lotta Love gets a nod on his album Live Trucker when it bridges the songs Somebody's Gotta Feel This and Fists of Rage (go to the 3 minute mark on the linked video). Early reports had it that Kid Rock performed Babe I'm Gonna Leave You and What is and What Should Never Be, however the broadcast had him playing Ramble On.

Lenny Kravitz then performed Whole Lotta Love, while President Barack Obama sang along in the choruses (no word on him belting "woman, you need it..." to Michelle). Kravitz was followed by Jason Bonham appearing behind the drum kit to the obvious surprise and delight of the band themselves. He was then joined onstage by the Wilson sister, Ann and Nancy, of Heart, to perform an abridged version of Stairway to Heaven. As the song progressed, the artists were joined onstage by a small choir and a chamber orchestra, and then by a larger choir, all wearing bowler hats in homage to John Bonham. By the end the band members all seemed moved, with Robert Plant appearing to be moved to tears.

Here is Heart, with Jason Bonham and others, performing Stairway to Heaven.

IV@40

If you came of age in the mid-1970’s, as I did, Led Zeppelin IV (aka ZOSO) was always there. You go to the carnival, and the Tilt-a-Whirl guy is blasting Rock and Roll, Black Dog and When the Levee Breaks. Guys driving down the street would be blasting it out of their 8-track player. You didn’t hear it for the first time, you absorbed it over time.

IV wasn’t even the first Zeppelin album I found and loved. That honour would fall to their third album, which I “borrowed” from my older brother on such a regular basis he bought me my own copy for Christmas the next year.

The follow up fourth album soon joined III as a staple of my record player. Mostly side one, it has to be confessed, for the obvious reasons. Frankly, song  for song, I’ll still take side one even now, with the exception of When the Levee Breaks which may be my favourite song on the album.

Everybody has favourites, and most Zeppelin fans will probably chose an album other than IV as their’s. But make no mistake, none will deny the greatness of Led Zeppelin IV. From song 1 to song 8, it contains no flaws, no misses. And in fact, in age when artists worried about the flow of the entire album, IV has two very different, but flawless sides, and still works as a complete unit. In other words, whether you throw on side 1, side 2 or the good old standby, 8-track and hear the whole thing through, it works.

But it’s still the songs that make the album, and IV features Led Zeppelin at their best. Rock and Roll, the bands answer to critics who said they had gone soft. Black Dog, a unique call and response style song unlike anything recorded before or since.

Battle of Evermore, the prelude to Stairway: Angry Hobbits with mandolins. Page and Jones, with just mandolins, acoustic guitar and, reportedly, a Dulcimer make the earth shake. Stairway to Heaven, in the aftermath of Battle of Evermore is like the dawn after battle. It’s message of hope in direct conflict with Evermore’s war call. Stairway to Heaven, the song that ended a thousand dances, more of a ritual than a rock song.

Side 2, if your using old school formats like me (or actually track 3 and 4, which is how I have listened to IV the last few times I’ve had it on), starts with the albums two weakest songs. Misty Mountain Hop, the hippy anthem. This falls in the category of second tier Zeppelin songs that prove just how good Zeppelin was. Four Sticks is a drum driven song with rather complex time structure. Again, most bands would kill to have this song in their repertoire, for Led Zeppelin in 1971, it was weak.

Going to California is the ultimate Zeppelin folk song. They had done folk before, had built the third album around folk songs, but Going to California trumps them all. Give Led Zeppelin acoustic guitars and mandolins and they were still the best rock band in the world, and Going to California is exhibit A.

Finally, the tour de force. Of all the songs on Led Zeppelin IV, When the Levee Breaks may have aged the most gracefully, which is odd considering it has all the grace of a charging Rhino. Built around John Bonham’s great drum pattern, the most sampled drum pattern in all of rap, Zeppelin rolls for 7 minutes of chicago blues like no other. It is pure driving rock yet, thanks to Bonham, swings like an old soul song.

Left off the album destined to  appear on 1975's Physical Graffiti, the songs Night Flight, Down By the Seaside and Boogie With Stu. Those three songs, the afterthoughts, those are a career for some bands.

Forty years ago today, November 8, 1971 Led Zeppelin IV was released. It  may have been the best album of the rock era, yet not Led Zeppelin best album. It is good enough to be called that, and Zeppelin good enough to transcend it.

Led Zeppelin's Last Flight - July 7, 1980

Thirty one years ago Jimmy Page stepped on stage at the Eissporthalle in Berlin dressed in a grey suit and black shirt with a black scarf draped around him. He stepped on his wah-wah peddle and played the train whistle intro to Train Kept a Rollin'.



Led Zeppelin played a 14 song, 144 minute set for the 6,000 German fans, the last show on their Over Europe 1980 tour. It turned out to be Led Zeppelin's last show.

The concert featured a 14 minute version of Stairway to Heaven, with Page playing one of the longest solos he ever played on that song. The band also did extended jams on Trampled Underfoot and Whole Lotta Love.



Set list - Led Zeppelin, July 7, 1980. Berlin, Germany

1. Train Kept a Rollin'


2. Nobody's Fault But Mine


3. Out on the Tiles Intro/Black Dog


4. In The Evening


5. The Rain Song


6. Hot Dog


7. All My Love


8. Trampled Underfoot


9. Since I've Been Loving You


10. White Summer-Black Mountain Side/Kashmir


11. Stairway to Heaven


12. Rock and Roll


13. Whole Lotta Love

Dave Lewis of Tight But Loose has just released a new book on the Led Zeppelin Over Europe, 1980 tour, called Feather in the Wind - Over Europe 1980. It is chock full of information and pictures. The book is a must read for Zeppelin fans, as it fills in the story of that last, vastly underreported tour.

Feather in the Wind - Over Europe 1980 can be ordered from the Tight But Loose website, and can't be recommended enough.

Kevin Shirley Interview

Grammy nominated recording engineer Dave Rideau sat recently with Kevin “The Caveman” Shirley at Shirley's studio, The Cave in Malibu. In the interview for Solid State Logic, Los Angeles based Rideau talked with Shirley about his career, and his recording methods, including working with Led Zeppelin and Black Country Communion.

The resulting 39 minute interview was published in three parts on YouTube.

In part 1, he discusses working on the Led Zeppelin DVD and the live CD, How the West Was Won. Jimmy Page and Kevin Shirley did not always, it seems, get along perfectly:

I got to the studio and it was like, well there’s room full of old tapes, going back from 1968 to 1980. And we’re going to do something with them and it was like, what are we going to do with them. And Jimmy Page at that point was like, “well, I want to be in New Orleans in 8 weeks time to see my son. So we need to do something in 8 weeks.”

And I looked at them, and I opened up the first tape which was like, 1968 recording of The Royal Albert Hall and the tape was falling apart. I said, “We gotta’ bake these tapes.” and he was furious, he was like, “Why do you have to bake the tapes?” And I’m like well, there’s oxide and tape and glue and it’s coming off, and storing in mouldy old England, it’ll do that to you. And he was livid, and we finally had to bake the stuff, had to bake everything and transfer everything so that alone took us about 3 or 4 weeks to get done.

So we started off on the wrong foot

It’s a theme that would carry into the second video:

When we worked at Sound West, and Jimmy would be upstairs, and he’d come downstairs and say, “what you doing?” And I’d say, “well, I’m just working on this thing over here, I just repaired this one guitar thing.”

He’s like, “Don’t you dare, let me hear it.” And then I would play it to him, he goes, “let me hear how it was.” Then I’d play it back to him, he’d say, “let’s hear what you did to it.” and then he’d listen back, he’d go, “I’m going upstairs to smoke.” And then he goes, “I don’t wanna know, I don’t wanna know. If it sounds better, that’s good but I don’t wanna know.”

Repairs? On Jimmy Page’s guitar work? Surely not? Well, yes, and call me Shirley:

There’s one obvious one in the Zeppelin DVD where, that great fanfare that marks the end of the solo in Stairway to Heaven. He goes up high and he does that fanfare right at the end of the solo. If you watch that performance on the DVD, which I think is from Earls Court, the high string breaks, and so he has to go and play the fanfare down an octave… I have taken the liberty of pinching the fanfare from another performance and putting it on there. So if you look you can see that it’s played an octave down, but sounds an octave up.

Shirley explains, too, that there is, in fact, lots more Led Zeppelin material sitting in the vault. Not all of it, however, is useable:

I got to the studio and it was like, well there’s room full of old tapes, going back from 1968 to 1980... And by the time we started looking at it, it really wasn’t that much. There was some really shaky performances, and there was a lot of drug use going on in the band in the 70’s. So there were performances that really weren’t good at all.

The Caveman, as Shirley is known, didn’t just work with Led Zeppelin. He was instrumental in putting together, “these guys called Black Country Communion,” and shares the story of “crafting” their first album:

I booked the studio down the road, and we just booked two days, and I had everyone come into the studio…
Shangri-La, Just down the road here. And they came in for two days, and… Joe and Glenn had written nuggets of ideas, so we cut it all in bits and pieces… And then, they all went away, and in the evenings I cut it all up together when I was working on an Iron Maiden album in the Bahamas and I had time to spare. I put the headphones on and my laptop and I edited it all up, and that’s how this record came about…

It’s interesting… to see like 10,000 reviews that, “you can hear that these guys are all playing live,” well they are playing live, it’s just, they weren’t playing quite as you hear.

The third part is more technical, but still a fascinating watch.

Jason Bonham’s Led Zeppelin Experience: October 28, Kitchener, Ontario

“Kitchener,” says Jason Bonham from the stage, bowler hat much like his father would occasionally wear perched on his head, “is very special to me. The background picture on my phone is of my dad in Kitchener.”

John Bonham, Jason’s father and the Raison d’etre for the Jason Bonham Led Zeppelin Experience, visited Kitchener once as drummer of Led Zeppelin. On Nov 4, 1969 Led Zeppelin played the Kitchener auditorium to a “with it,“ crowd of 2,000 mostly college kids. “Coming into town,” Bonham continues with a laugh, “it doesn’t look like it’s changed much.”

Fourty-one years later, almost to the day, the crowd of 2,000 people ranging in age from pre-teen to people who might have seen the father in Kitchener, had a great time rocking out to the fathers music, the sons beat.

JBLZE ran through a three hour (with intermission) 20 song set that had fans stomping the floor boards of the usually staid Centre in the Square. From the beginning of John Bonham’s famous Rock and Roll introduction to the final lick from Rush’s Tom Sawyer (an add on to the end of Whole Lotta Love for JBLZE’s Canadian crowds) the band was on a rocking journey and the fans happily came along for the ride.

Very little attempt was made to be Led Zeppelin outside of guitarist Tony Catania efforts to channel Jimmy Page. Bald-headed singer James Dylan neither looks, nor particularly sings like Robert Plant: Dylan has a rasp in his voice Plant never had and lacked Plant’s tendency to miss the occasional note completely. Bassist Michael Devin’s long flowing black hair was more Page than Jones, he moved and jumped about the stage more in fitting with his next gig as Whitesnake bassist than John-Paul Jones’ less robust stage presence. Utility man Stephen LeBlanc, who handled Jones’ keyboard duties, as well as some guitar and lap-steel guitar, smiled rather too much to do an effective John Paul Jones imitation.

The visual representation came from the video screens behind the drum set. They offered glimpses of home movies, pictures from the Bonham family album and on some numbers, a psychedelic backdrop to create atmosphere. Despite the pre-tour talk about the home movies making this more than just a Led Zeppelin tribute, it was it’s use for psychedelia when the screens were most effective.

The show was presented in two parts with a twenty minute intermission. Each half began with Bonham home movies and a Jason Bonham monologue. The beginning of the second half showed a video of young Jason Bonham doing a hip swinging, sexed up dance routine for his mother and father that was hilarious. A third monologue and video, prior to Stairway to Heaven, was on the 02 concert: “the greatest night of my (Bonham’s) life.”

When the band was playing, however, the screen was secondary, at least from my seats in the fifth row: perhaps farther back it took on greater importance. Personally, I had to keep reminding myself I’m supposed to watch the screen, not the guitar player right in front of me. However, a couple of screen moments bear comment:

During Thank You home movies were playing, likely the summer of 1980 vacation that Jason Bonham has mentioned in a few interviews. At one point, John Bonham is looking at the camera, filling the scene, for about ten seconds. During the songs quietest moment, Stephen LeBlanc quietly filling the air with organ and James Dylan plaintfully singing, “and so today my world it smiles, your hand in mine we walk the miles.” John Bonham looks down, Godlike from overhead, touches his thumb to his nose and wiggles his fingers mockingly.

The other was the show’s much talked about highlight, Moby Dick. Not being a fan of drum solos, except as a much needed bathroom break, I sat almost transfixed as Jason matched John Henry beat for beat, bass pedal roll for bass pedal roll. The screen offering sometimes dad, sometimes son and sometimes both in split screen made an extremely effective ending to the first half of the show, and gave he band their first of many standing ovations on the night.

But this show was about the music, and it was in the music that it stood out. Jason Bonham put together a very good band and on this night, they were on fire. It felt, seemed from close in, that it was a special night. Some early reviews had suggested flaws, and video showed this to be true. Not on this night. The band, simply put, was white hot.

They were spot on: not note perfect for the records spot on, but an in the moment perfection where even the wrong notes sounded right. They nailed the evenings second song, Celebration Day as it was done on The Song Remains the Same, and you just knew it would be a good night. Celebration Day was always to my ears a hit and miss song for Zeppelin. Jason Bonham’s Led Zeppelin Experience played it bang on. A good start that got better. Babe I’m Gonna Leave You was spine tingling good, Catania bouncing back and forth between electric and his stand mounted acoustic. What is and What Should Never Be was outstanding.

But the shows real highlights were in the second half. Good Times, Bad Times flat out rocked, Since I’ve Been Loving You steamed, Cantania having his moment and nailing it, The Ocean was a blast of good fun, I’m Gonna Crawl heart wrenching. When The Levee Breaks was magical, Jason leaving the drumming duties to his father early in the song: “It’s such a simple beat, but such a difficult feel,” Bonham tells the crowd beforehand. On Stairway to Heaven Catania again pulled out the acoustic guitar stand, and they played a variation of studio and live version that left you wondering why Page never thought of taping his acoustic to a mic stand. Kashmir, which Bonham declared was, “my favourite song, period,” had everyone on their feet.

It was, in all, a very good show. Great music, done by a band that was good enough to do it, and having a very on night. Never mind the story-line that went with it, Jason Bonham’s Led Zeppelin Experience put on a great rock concert.

It’s safe to suggest the feeling is mutual, the Bonham’s are very special to Kitchener.

[caption id="attachment_415" align="aligncenter" width="491" caption="Tony Catania plays Stairway to Heaven"][/caption]

Setlist: Jason Bonham’s Led Zeppelin Experience:
Centre in the Sqaure, Kitchener, Ontario
October 28, 2010

Set One
Video
Rock and Roll
Celebration Day
Black Dog (w/Bring it on Home intro)
----------Jason Bonham Monologue----------------
You’re Time is Gonna Come
Babe, I’m Gonna Leave You
-----------Bonham Chatter--------------
Dazed and Confused
What is and What Should Never Be
I Can’t Quit You Baby
-----------Bonham Chatter--------------
Thank You
Moby Dick (drum solo with” John Bonham)

----------------------Intermission------------------------

Set Two
Video
Good Times, Bad Times
How Many More Times
Since I’ve Been Loving You
When the Levee Breaks (“With” John Bonham)
The Ocean
Over the Hills and Far Away
I’m Gonna Crawl
------Video - 02 concert Dec 2007 ------------
Stairway to Heaven
Kashmir
-----------------Encore--------------
Whole Lotta Love (w/ Tom Sawyer)

Kitchener Nov 4, 1969

[caption id="attachment_174" align="alignright" width="144" caption="This as began appearing Oct. 11, indicating the show had been booked approximately four weeks before the show"][/caption]

In November 1969, Led Zeppelin was a young rising band. Their first album, released in January of 1969, went to number 11 in the Canadian album charts. They toured North America relentlessly, including 3 stops in Toronto, beginning their fourth American tour on October 17, five days before the release of their second album. That second album would reach number one worldwide and launch Led Zeppelin into the 1970s, the decade in which they would dominate the rock world. The only single from Led Zeppelin II, Whole Lotta Love, would go on to reach number 4 in the Billboard charts and become one of rock's ubiquitous classics. Led Zeppelin was on the rise, and Kitchener Ontario, population approximately 100,000, would have an opportunity to see Led Zeppelin before they became too big for shows in front of 2,000 people.

"Jimmy Page is Led Zeppelin." So begins the K-W Records Jim Clements in reviewing Led Zeppelin's Nov 4, 1969 show. The concert was performed to a less than full house of 2,000 fans, mostly university students. Iron Butterfly had played the week before at University of Waterloo, and $4.00 and $5.00 for tickets was considered high for the time. The show was shorter than usual Led Zeppelin fare: drummer John Bonham was ailing, and his showpiece Moby Dick was missing from the set list, as was Jimmy Page's Indian themed solo White Summer/Black Mountain Side due to a blown amplifier. Singer Robert Plant was having voice problems as well. The three issues combined meant the usual 90 minute set was a 45 minute affair.

For all the above, reviews of the evening were positive, noting the skill of the musicians, Page's virtuosity ("he stuns and amazes..." says Dave Fairfield), Plant's vocal counterpart and solid back beat of the rhythm section. The crowd was "with it..." according to Jimmy Page, calling for an encore despite the problems the band encountered. Kitchener Memorial Arena was a less than perfect acoustic environment, yet the set up was done "in such a way that everyone could see and hear the performance."

[caption id="attachment_173" align="alignleft" width="116" caption="Jimmy Page with his sunburst Les Paul"][/caption]

An enthusiastic audience is hardly surprising. Led Zeppelin would go on to become very well known for their outstanding live shows and from the very first shows they were noted as exceptional. Yet their was little of the shows in late 1969 that would resemble the Led Zeppelin concerts that the band would become so well known for. Granted, Jimmy Page had replaced his paisley telecaster guitar with a sunburst Les Paul as his main stage instrument. The guitar, sold to him by Joe Walsh, is the one he would use to define what rock guitarists should look like, and be immortalized in Paul McCartney's Rock Show. But little else would be familiar to those who saw Led Zeppelin even a year or two later. The set list was dominated by songs that would soon be gone: Good Times Bad Tomes, Communication Breakdown, I Can't Quit You Babe, What is and What Should Never Be, How Many More Times. All would cease to be performed in the near future. Whole Lotta Love, not yet in their set list, would become a vital component to the Led Zeppelin experience within a month.

Noted in later years for his strong stage presence, on this night Page, "rarely took his eyes from the guitar long enough to look at the audience." Stage clothes in 1969 lacked the pizazz of later years, Page appearing in Kitchener in jeans and a peach t-shirt, Plant in jeans and white t-shirt with black logo. Page was at this stage, however, playing his guitar with a violin bow, a holdover from his days with the Yardbirds and a showpiece of Led Zeppelin shows from their first show through to their last performances in 1980.

[caption id="attachment_175" align="alignright" width="126" caption="The ad changed the day of the concert"][/caption]

If you saw Led Zeppelin in Kitchener on November 4, 1969, you saw a Led Zeppelin vastly different from the band who travel the world by private jet in a few short years. Two years away from Stairway to Heaven the music was much more raw, the performance much less polished. But you also saw a hungry band of talented musicians, paying their dues, giving an undoubtedly powerful performance. If you saw Led Zeppelin in 1969, you saw them when it was virtually the last chance to see them in an intimate environment. Beginning early 1970, they would play major halls and arenas, and never return to smaller venues.